300 - /* this is Sparta ! */

Tonight we dine in hell!



Devotees of graphic sex and blood and violence should have no qualms with the spectacular success of Frank Miller's 300.

In a time long long ago there is a king - a mighty king who commanded and inspired the respect the loyalty of his soldiers. And not just loyalty but love, and he loved his soldiers back openly and warmly.

The magnificent Gerard Butler freshly chiselled from Beowulf and Grendel [and Phantom of the Opera]is Leonidas - the King of Sparta.

Since the age of seven until the age they become men, the boys have been inured and thrown into the rigours of training and pain against each other. Learning stealth and courage. And they grew up to be men. And he to become King.

With the forces of the outside world pressing upon his borders, an emissary from Xerxes of Persia a human who dared to think himself a god came to ask for an offering of earth and water from Leonidas - and in turn his land would be spared, his people saved from the tyranny of slavery, the woman and children unharmed. Contray to the saying do not shoot the messenger, the emissary and his entourage are shoved into the bottomless well. This is the world where only the hard survive, and actions whether they be cruel or kind are decisive.

"THIS IS SPARTA!"

This is the world of 300 - Frank Miller's newest adaptation blazed across the screen. Any fan of Frank Miller's Sin City have even more violent action and vim and vigour to look forward to. Blood flies without mercy or remorse from the soldiers.

Leonidas is a king among kings - he is cut, buff, strong, he commands his troops with a mighty voice and an open heart - he shows wisdom and courage - he is decisive, he is strong, he is a skillful lover of his Queen who has already borne him a son, a son ready for the trials son who someday will be the next King. He is mighty with shield and sword. With but a handful of 300 of his finest soldiers, he sets out in defiance against the keepers of the oracles [ the most beautiful of Spartan woman who have been brought up to speak as the voices of the gods ] who stay the army itself from marching with Leonidas because it is the high holiday. The story of the 300 is of daring and fortitude and defying the odds - 300 against the legions of Persian ships and the milliards of soldiers they bring. The 300 fight not only with only shield and sword against just Persian men and arrow but the Immortals [ the most cunning and deadliest of the Persian army ] as well as fantastical and phantasmagorical creatures not seen on this earth since the Lord of the Rings. The amazing score reinforces the total sense of nobility and majesty.

The landscape of 300 stretches far and wide in the mountainous valleys where the Spartan army hopes to hem the Persians in - funnel them into the chasm so that the foes' numerical superiority will not matter. The colours on screen are burnished in a patina of golden brown and red. Tanned muscles ripple in amazing one on one battle scenes showing the Spartan soldiers skill with sword and shield, their utter speed shown in stop time, in defence formation their resolve shown in the savage thrust of spear into horse and muscle as wave of soldiers and calvary come upon them or one Spartan against many. And on the first day they are victorious, and build a wall of their fallen foes. But for how long can they last in the face of an endless enemy? Can the Queen persuade the Spartan senate unknownst to them led by politician corrupted by Persian gold to let the Spartan army march north in time to save and aid her King?

Lovers of Sin City will find 300 an enthralling tale of the exemplary example of heroes fighting for their country - with honour and dignity to the end - adhering to their creed: no retreat no surrender that is Spartan law - to be remembered for all time.

Remember us.

/* Deena sings lead */ - Dreamgirls

Tracing the rise of the Motown scene while taking a sideways look at the rise of the African American from 1962 the Broadway show Dreamgirls on screen brings on the glitz and glamour through the girl trio Dreamers.

The costumes that are slinky and elegant on Deena [Beyonce Knowles}], Effie (Jennifer Hudson) as the replaceable third Lorrell [Anika Noni Rose] of the trio belie the artifice for behind the scens is the machinations of snake oil salesman Curtis Taylor, Jr. [Jamie Foxx] who connives to shove Effie [Jennifer Hudson] out of the lead of the ex-Dreamettes who under his guidance become the backup group Dreams to Eddie Murphy's James "Thunder" Early, a glitzy glamour character who belies the likes of Little Richard and Jerry Lee Lewis.

While trying to trace the rise and fall of Motown and the ill-disguised Supremes in the 60s and 70s and on the side the black power movement and civil rights, Dreamgirls proves to be a shallow movie and ultimately, the whole of this Christmas release Dreamgirls leaves a bad candy taste in the mouth and a wish you could get the more than two hours of your life back. Bad dreams are made of this.

/* it's a two gold star day */ - kudos for Notes on a Scandal

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it's Oscar night and the computer is behaving for three minutes at a stretch so we cannot write much

but we have been blitzing the theatres this week to catch up with as many nominees and nominated films left on our list

we did try though Venus and Les Indigenes eluded our grasp before today - but everybody celebrate the magic that is film tonight

/* This is not who you are */ - The Number 23

/* Poor little rich girl */ - Factory Girl and the amazing it girl Sienna Miller

Sienna Miller does a remarkable job of bringing the ultimate "it" girl Edie Sedgwick to life in Factory Girl, the re-creation by documentary style director George Hickenlooper [Heart of Darkness, Mayor of the Sunset Strip] of the story between pop artist Andy Warhol and his discovery Edie.

Based somewhat on George Plimpton's interview book Edie, Factory Girl retells the story of Edie Sedgwick during the 60s and 70s and her infancy years masking her deep dark secrets and the insanity that ran in her family. She escapes from California and finds herself mixed up in the life of Andy Warhol and the Factory, an artist's warehouse space where Warhol directed his amateur films such as Vinyl starring his entourage and created the Campbell soup cans montages.

The shots during the film are perfectly faithful to the photographs of Edie Sedgwick who became the "it" girl - with her stunning waifish looks she was the poster model for her generation. Parts in the films such as the tryptich Chelsea Girls and Poor Little Rich Girl - to see and be seen with the Andy Warhol was the apex of her "career". Warhol portrayed in Factory girl as fey and callow by [Memento, The Time Machine, The Proposition star] Guy Pearce is seen as the leading cause of her ultimate demise, abandoning her and leaving her destitute in her exploited and drug-addicted decline. One bright moment of happiness is seen in the company of It ain't me babe Bobby Quinn [a veiled Bob Dylan] nailed by Hayden Christensen, and her biggest mistake was staying with Andy instead of leaving with him. It ain't me babe.

The movie is tragically bookended by her "obituary" in the park about how she wants to be remembered followed by the ending credits with real photos and commentary by actual participants in Edie's life that underly the tragedy but also remember how brightly she shone.

/* 7# - Can I trust you ? */ - Breach

Blood Diamond - /* TIA - This is Africa */ - Leo on the run

The Last King of Scotland - /* This is Africa */

A powerful performance by Forest Whitaker embracing the dark and the light that was General Idi Amin the ruthless president of Uganda. The contradictions between a man so eager to be embraced by his people showing his humour and laughter and the power of persuasion and the brutal putdown of his opposition.

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The Lives of Others - /* man can change */

In 1980s East Germany when a Stassi agent meets the words of Brecht one comes up with the remarkable achievement that is The Lives of Others. The German entry for Best Foreign Film at the Academy Awards this year


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Children of Men - */ everything comes down to a battle between faith vs chance */

A bleak look at the future of the world as seen in yet another post-apocalyptic look at England in 2027 London. The youngest being on the planet has just died, Baby Julian he has been monikered, at the age of 18. Ever since 2009 there has been a mysterious pandemic that has eliminated fertility on the planet. There is no future for the human race in a hundred years hence. Theo [ Clive Owen ] lives his life in a numb haze fuelled by Bells whiskey.

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Letters from Iwo Jima - /* love, Mom */

After a TCM movie weekend filled with the likes of 30 Seconds Over Tokyo, Flying Tigers and They Were Expendable
comes this disturbing personal and intense look at the battle for Iwo Jima seen from the Japanese perspective.

Clint Eastwood's second directorial foray into the story after Flags Of Our Fathers is ambitious and accurate. The two films share the same body of research with the latter written by Iris Yamashita,more being the story of how General Tadamichi Kuribayashi [ Ken Watanabe ] led his army troops in this forsaken piece of Japan, the manipulated film lends a muted emotion to the affair seen in low contrast.

An archaeological excursion in 2005 digs back into the truth of what happened to the island at the end of the second world war. The island is a memorial with only a shell of what once was, left behind are the series of caves excavated by the labour of the soldiers for the defence of Iwo Jima, itself a coveted stepping stone because of Iwo Jima being just 650 miles from Tokyo.

"They can have this island" complains Saigo, one of the young soldiers trying to survive amidst the sand, the heat, the water and the dysentery. Back in his home of Nagano, he was but a simple baker with a wife and expected child, here he is expected to fight with honour. However as Kuribayashi leads his twenty thousand troops against the invasion by the American fleet, he tells them do not expect to return home. No survivors.

Black Coffee

You will never look the same way at a cup of coffee again after watching this TVO three hour documentary.

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TT where are you ?

Hannibal Rising - /* we eat or we die */

The new chapter in the Hannibal Lecter series takes us back to 1944 Lithuania during the time of the second world war. The family is fleeing Lecter castle, taking their treasures and their livelihoods with them to a household in the country. It is a matter of conjecture if they have more to fear from Russian looters rampant in the countryside, or the arrival of the German troops and tanks.

Hannibal and his very little sister Mischa watch their parents die at the hands of German bullets and are left to fend for themselves in the house. Looters find the two and hold them captive as they dine with them throughout the brual winter of starvation. His sensitive impressionable mind is very shocked by what fury men will do to survive. He eventually is saved and eight years later finds himself in a school setup in his old home at the castle.

Hannibal henceforth lives in a closed emotional state, his mouth is closeknit during the day only to let out yells at night due to his nightmares reliving the moments of that winter, trying to forget yet remember what happened. His only physical connection to his parents and relatives are photographs of the past.

He escapes from the school - after sneaking rides aboard trains across borders and finds himself at his uncle's place. The uncle has passed on but his Japanese "aunt" [ Gong Li ] raises him in a state of grace at the estate near France and teaches him refinement. She endeavours for Hannibal to be gentle and kind like his father. He reads and she teaches him the art of Japanese kendo and swords. She prays before her god, who is dressed as a mighty Japanese warrior with the mask that has become the trademark of the Hannibal Lecter visage. His aunt who hails from Hiroshima connects with Hannibal, not just because the both of them are outsiders, but because they both have their lives scream back at them at night.

Hannibal Rising is a story well told with a sense of style and muted colours. It's the tale of revenge best served cold. The thrill of the chase by the French police is not on the par of Clarice sparring with Hannibal Lecter, and can one side with Hannibal as he pursues his quest? but Hannibal Rising is american psycho reborn and purviews the character and moral development of the child who died in that winter, and came out the other side a monster.

Fish cheeks anyone?

Manufactured Landscapes - beauty and the beast

The hit documentary Manufactured Landscapes of 06 Toronto International Film Festival and now making a splash in the realm of Sundance this year typifies what TVO and the NFB do best - produce very insightful documentaries with a deep message that leave with you wonder.

China is going through a new industrial revolution as it attempts to keep pace with the demands of a burgeoning populace. The demand for power, fuels, supplies is far greater than their present technologies.

The opening shot of Manufactured Landscapes is a long tracking shot from one end of the factory floor to the other, the camera taking in all the men and women doing their little repetitive tasks as they make toys, or sensors. There is little mechanization, this is assembly line by human labour.

China has become the vast dumping ground of the world's discarded and recycled parts: things such as computer monitors, motherboards are discarded by the millions and end up in China by the hillsideful and are stripped by hand for anything useful: the metal, the wiring, for example.

It is the eye of photography Edward Burtynsky that sees composition amidst the chaos, beauty is in the eye of the beholder amidst the debris - the beauty is in the details.

Director Jennifer Baichwal follows Burtynsky as he clambers amongst the hillside, or perched atop scaffolding or ladders, carrying his 4x5 camera he looks for the composition and the light. The director's cinematographers will dwell on a part of the picture which in itself is beautiful and telling and then zoom back to show the enormity of scale - it's like seeing Blow-Up in reverse. The centre is just a speck in the macrocosm that is China.

The manufactured landscape is a different type of landscape - the kind that is the product of man and his relationship with industrialization. It is industry versus nature. Despite the photographer's intent that he is not trying to take a stance, where at the exhibition that he lets the viewers come their own conclusion, the pictures he say do not try to condemn or glorify what is happening but the pictures speak for themselves.

Manufactured Landscapes goes outside of the country too to see the effects of globalization of industry elsewhere. The two words oil epiphany are two words that come to him. The building blocks of industry come from oil, and China as the new factory of the world is an endproduct. He pictures the deep digs into the earth, the levels of the scars of the quarries and mines which are the accumulation of time are like tree rings. Industrialization is placing a tremendous toll on the natural landscapes, and even more devastating effects upon the people and the quality of their lives. The scavengers on the hillsides dig for the metals in order to work and survive and earn their pay. The leeching of the metals into the ground affects drinking water. Rivers are deadly. The enormous scale of the Three Gorges Dam which is going to level an enormous part of China and sink cities in the process - and the Chinese government is paying its own people to tear down their own homes and cities brick by brick. The people who are being resettled find themselves in new settlements but they are becoming the new impoverished peasants in a new land with nothing to do. There are tragic portraits of old ladies who are reduced to doing nothing but menial tasks : sorting or stripping the parts to survive. Or the lady who refuses to leave her apartment while the tenements around her are demolished for new construction. Burtnysky and Baichal capture this all leaving you to find the shock and awe in all the splendour of manufactured landscapes.

Blood and Chocolate - /* the best of animal - the best of man */ = stylish gothic romance

At this point in time due to release time we will endeavour not to reveal certain plot elements

The first time we saw Agnes Bruckner was when she was seventeen years old at the 2002 Toronto International Film Festival where she came dressed so glamourous in black for the debut of Blue Car which also starred the incomparable David Strathairn, a story about a down on her luck schoolgirl poet encouraged by her English teacher to enter a poetry contest, and an ensuing crush.

In Blood and Chocolate the pouty Agnes Bruckner is Vivian is a girl running from her past - and from her future.

From the producers of Underworld [and The Covenant], the modern yet old world Blood and Chocolate is the flipside of Underworld where the lychen are the feature.

Hugh Dancy as Aiden is an American, a graphic novel artist drawn into her world and her family. He is fascinated by wolves and the old stories, so he has come to her city for inspiration and research. Blood and Chocolate is set in the historical city of Bucharest, Rumania filled with tenth century legends of loup garou - not the werewolves of Hollywood - but the best of animal and the best of man. He too is escaping his past and keeps his anonymity while he has his novels published.

Blood and Chocolate has all the elements of a Gothic Romance a la Jane Eyre - the secret, the forbidden attraction between two opposite and kindred apirits, moonlight. The whole story is artfully and gracefully done, filled with pastiches of perfect shots, but either done to over editing or heavy reliance upon exposition to move the plot along [ which we will not reveal at this point in time ].

The Hitcher - /* four words: I want to die */

Sophia Bush is on the verge of becoming the next Sarah Michelle Gellar of the teen horror movie genre.

After appearing in the game thriller Stay Alive and the teen slasher movie John Tucker Must Die [ as well as the BMX motocross The Grind she is the eye candy of The Hitcher.

Otherwise this remake of The Hitcher with Rutger Hauer from twenty years ago is a far cry from the original but should appeal to modern sensibilities. Those more attuned to the present generation Texas Chainsaw Massacre shock horror as opposed to the rawer originals can settle for the assets of Sophia Bush and the 442 style muscle cars on display.

Two college sweethearts Grace Andrews and Jim Halsey are on their way from Texas to Lake Havasu in New Mexico for spring break. She is more of a college bunny and he isn't in the brightest lightbulb either. By nightfall they are driving through the heavy rain when they nearly run into a shadowy figure standing in the middle of the deserted highway. The ensuing skid causing the car to stop and the stranger approaches their car. Of course as they try to get away from him the engine is flooded and the stranger is coming yet closer. It is this style of suspense that is the glue for The Hitcher.

A while later, the couple are refuelling themselves at the gas station up the highway, and the stranger has hitched a ride on a hauling truck who has let him off there.

Needless to say, the hitcher is offered a ride to the motel up the road by the Jim to make amends for not picking him up earlier. "Don't worry kid, if I was me I wouldn't pick me up either." This is the big mistake.

Grace is not totally cool with this but she has not much of a choice in the matter. While she is in the back listening to her iPod the two up front make small conversation as they get each other's names: the hitcher is John Ryder and the convesrsation soon turns to her, and it is not polite. Efforts to make him stop talking this way and boot him out the car have themselves at the business end of Ryder's knife. Only by having them say four words will make him stop: "I want to die."

John Ryder is a nasty man and a deadly marksman - The Hitcher is constantly filled with suspense and shocks. They are placed in several awkward situations due to John Ryderand only Grace and Jim's will to live is the only thing that helps them overcome their bickering with each other and their stupidity and dialogue. In this current age how else would the producers of the Texas Chainsaw Massacre have this movie end?

Primeval - from /* Africa is beautiful */ to /* I hate Africa ! */ - Jurassic Jaws in action

Due to this movie's release date we will endeavour to not reveal the nature of the killer or spoil actual scenes yet

With a market already primed by the likes of Blood Diamond, Casino Royale, Hotel Rwanda for Africacentric movies the new opener Primeval comes onto the scene. After watching Catch A Fire, the audience must be used to seeing African warlords and massive corruption, misuse of power and tribal warfare a la Darfur. The deceptive opening credits blaze the headlines of the past century a la the revived Texas Chainsaw Massacre trailing the carnage of the killer in Africa who is given the name Gustave.

In this movie "inspired by true events, with the obvious stentorian assets of Melrose Place's Brooke Langton as Aviva the nature reporter in her little white top and the dour Dominic Purcell [ John Doe, Blade: Trinity ] who is Tim Manfrey trying to live down his massive on-air reportage mistake - the two combined are bait to lure the audience in and keep the eyes riveted to their talents in their quest to capture of this serial killer ALIVE in Burundi and document the events that reminds one of Jurassic Park meets Jaws. Things go from the idlyllic African panorama to the brutal in a swift series of actions

With some funny moments and lines thrown in by Orlando Jones as Manfrey's capable friend and cameraman - as they try singing an African revival tune to the tribesmen they have hired to help them in their quest to catch the killer - and can they all ever run ! Something Purcell must be used to after months of Prison Break. By the end of it all you are just hoping that they just get Out of Africa in one piece.

Primeval is one evil evil movie.

Fur - an imaginary portrait of Diane Arbus /* you think I'm strange you think i'm not normal */ - Oscar contender for Kidman

The imaginary biography of Diane Arbus who lived from 1923 to 1971 conveys the world of a stultified housewife suborned to her photographer husband who runs Arbus studios out of his apartment in New York City. The key year here is 1958.

While trying to raise three children, she also is his adept photographer's assistant and serves as a beautiful front for clients. He has his own career, having done fashions portraits and covers for magazines such as Vogue which adorn the walls.

However, there is something odd and offputting about Diane, something that she recognizes in herself. She is also at odds with her rich parents to whose standards she can never meet. Her father runs a fur business - and the apartment is turned into a fashion show for the furs one night. It is on the occasion of this night that she sees the new neighbour moving in, whose face is covered in a woolen mask. He is a mystery - and the magic of the movie is how they connect through the eyes.

Without giving this movie away, the entire premise of Fur is based upon seeing the awakened world through new eyes, observations and secrets.

Rocky Balboa - /* Yo, Adrian... we did it */

this review will endeavour to not spoil the ending of the movie

That the Rocky franchise could resurrect itself from the dead is no small miracle. In fact it is a wonderful achievement.

Thank god for TVO showing the original Rocky on its Saturdan Night at the Movies which is all you essentially need to achieve any connection with Rocky Balboa thirty years after his inception. And the connection is sealed with the blare of the trumpets in the introductory Bill Conti music of the credits.

Rocky is living a comfortable if moderate life running a small Italian family restaurant in southside Philadelphia. He runs the place, greeting his guests, telling the old stories if they wish. But an emptiness is within him - one last thing undone, and one memory that lingers always.

On the anniversary, the remaining members of the Rocky gang - Rocky and Paulie take their walk through the old neighbourhood. "When you stay too long in one place, you become the place."

However, it is Little Marie back from the early days of childhood who helps keep the spirit of Adrian present with little reminders and photographs on the night of the last fight.



/* Yo Adrian... we did it /*

The Good Shepherd - trust no one - there's no "the" in front of God

Bonesmen first god second

to be continued